Make Some Noise

A couple of weeks ago I wrote about a conversation I had with Bryan Mathers at OER17 regarding the new default splash page for new accounts on Reclaim Hosting. I got so taken away with Bryan’s Dali take on Reclaim that I forgot what we originally talked about: namely a turntable letting folks know their site works and they can login and “Make Some Noise.”

Awesome, right? And Bryan even animated the image, which we are working on integrating for all new shared hosting accounts on Reclaim. 

I’ve said it before, and I’ll say it again, imagining the whole Reclaim aesthetic (not to mention the Rockaway Hosting aesthetic) has been the most fun I have had in a long while. It just keeps on making me smile.

The Persistence of Memory

One of the many joys of OER17 was catching up with Bryan Mathers in person. We were chatting before one of the sessions about re-designing the default splash page for new accounts on Reclaim Hosting—the final hold-out from our original design. We talked about the possibility of have a few images rotating through in the splash page, but as usually happens the conversation just found its own way and after talking about memory, archiving, and the web Bryan starting talking about a Salvador Dalí-inspired vision of web-based memory and persistence: Not sure if this will be our new default splash page, but I have no doubts we will find something to do with it. First and foremost a blog post featuring the awesome and soon after framed poster in the new Reclaim offices ?

It Came from the Domains Stacks!

Bryan Mathers is experimenting with animating his art—which is lucky for us—and he has taken the “Domains Death Star Eye in the Sky” poster he created for Domains 17 and gave it life:

But he even got crazier than that in the following video gem (be sure to make it full screen before viewing!):

How cool is that? Embedding that animated brilliance into a stack of records to help define and promote the insanity that will be Domains 17.  Are you ready? Are you animated? Are you registered? No? Let’s take care of that now.

Domains as Art

I just got another delivery of Domains 2017 art. Damn this conference has the coolest aesthetic ever. Bryan Mathers rules, and he has taken the Sci-fi 70s idea I recently blogged about and is running with it. The examples below are so colorful and gorgeous, and get at the whole play on an early attempt we made at UMW to frame Domain of One’s Own as Cloud City (which none of the students really got, which was bizarre to me). The Domains conference promises to be something totally different, and you can get a sense of that from Lauren‘s recent posts about both OKC and the venue where Domains17 will be. If you are looking for reasons to come, let the focus on space and art be amongst them!

Also, have I mentioned Bryan Mathers rules?

Domains 2017 will be Intergalactic

One of the joys of being on the East Coast of the U.S. right now is waking up to gems like the above video from Bryan Mathers. I already blogged about Bryan’s poster for the Domains 2017 conference, so seeing this 15 second spot Bryan created was heavenly. Between the Beastie Boys “Intergalactic” background music, the roving, pulsating bubble and the rising mechanical hand (reminiscent of the monster on the Queen’s News of the World album cover) I was in heaven. I’ve been criticized for my focus on marketing and promotion, but it’s hard to argue with when it looks this good! Domains 2017 is going to be intergalactic, indeed.

Domains 2017: The Poster

The Buffana has swept away the festivities here in Italy, so I guess it’s time to shake off the holiday sleep and get back in the swing of things on the bava. I’m heading back to America for the next few weeks, so that should wake me up a bit. It’s been a fairly busy break between setting up servers and entertaining my awesome nephew Liam from California. A kid who is full of pleasant surprises and happens to be a spitting image of his father.

It’s kind of surreal to spend time with your nephew and constantly see your older brother’s visage straight out of your childhood. It’s difficult because you realize how much of his life you missed, while at the same time there is a comforting sense of continuity and familiarity. I can faintly see my own childhood through him, as well as what which will come after for mine. And while nothing is clearer to me than it was 27 years ago when I was Liam’s age, it is nice to see it is all still there.

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Reclaiming with No Regrets

no regrets

Yesterday was like Christmas at Reclaim Hosting, we got a bunch of new art for the Reclaim Hosting aesthetic (it’s all about the aesthetic!) from the brilliant Bryan Mathers. We’ve been working together pretty regularly over the last 8 months for artwork for the Reclaim Hosting site, and I think we are hitting our stride. I think that we is a wee bit royal given Bryan is really carrying the load. He continues to blow my mind with how he translates meandering conversations into concrete visuals that really capture the spirit of who we are and what we do at Reclaim Hosting. I cannot recommend Bryan enough to anyone who is trying to imagine (or re-imagine) their image. Working with him these last months has been the most fun I have had in a long while.
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A Re-Possessed Aesthetic

As I wrote about previously, Bryan Mathers has been working on some designs for a couple of elements of the Reclaim Hosting site. In particular, a visual for the Migrations page as well as one for the various shared hosting packages we offer. He sent us the art this week, and as usual with his stuff it made me glow as green as a repossessed Chevy Malibu!

repo-man-2-1024x270.png

In terms of the Migrations page aesthetic, I’ll quote myself here from the previous post to give a bit of context:

Tim, Lauren and I had been brainstorming what visuals we needed for the website. One of the things Tim mentioned was artwork that might help communicate our migrations service. We provide anyone that signs up free migrations to our hosting service. This is something few, if any, other hosting services provide, and I believe it does go above and beyond. Moving your stuff is stressful, and we make it painless, so the idea was to communicate this. Bryan had the idea of people outside a van with white gloves moving crates of records, which I totally loved. It set me down the road to Repo-perdition. In Repo Man the government agents worked out of a hi-tech industrial bread delivery truck (you can see the back of it in the image above–also what is the technical term for that kind of truck?). This image of movers with white gloves made me think of the government agents in nuclear suits moving the contaminated bodies of the homeless in Repo Man.

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