On Thursday Tim and I recorded yet another Reclaim Today episode, and I have to say this may be my favorite to date. Not only because we are beginning to see some of the fun possibilities manifest with the Reclaim TV Studio in this production, but it might mark the beginning of a truly awesome project. Tim and I have no shortage of good ideas when we get going, but Tim has really hit on some gold in his recent quest to bridge time and space to make sure Reclaim Arcade stays weird. He’s a genius, and I love the madness. But I might be getting ahead of myself here a bit, but the short version is he discovered this very cool site called Telemelt by Andrew Reitano, which is a way to play emulated NES games (amongst others) latency free online with friends. With the simple click of the spacebar you can switch who controls the game, and it is remarkably seamless, totally free, and a by-product of our current locked-down reality.
And to this equation Tim added another dimension, me and him playing them together in the proverbial and very real console living room in Fredericksburg with him in person and me on the robot. The combination of playing seamlessly via the browser and then “being” in the same space as a robot was quite remarkable. Which led him to the idea of what if we can replicate this latency-free game play for the Reclaim Arcade cabinets and have folks come in via robot and play with others that are in the physical space? A fleet of robots occupied by folks all over the world playing games in Reclaim Arcade….CAN YOU DIG IT!
I am sure I’ll have more to say about this, but it is also worth noting that this was our first stream using multiple-scenes with green screens and a little OBS Ninja action. I’m not gonna lie, I am loving our new streaming overlords
It was a fun episode chock-full of cool stuff, and what’s awesome is that Reclaim Today is starting to find its groove. I’m finding the episodes are tighter and more focused on our experimentation. What’s more, they are proving a whole lotta fun! It helps that we have a dedicated TV studio now—which was an investment—but it is quickly proving quite useful, not to mention really fun to play with. As I was telling Tim after this episode, I get most excited when I wake up these days thinking about broadcasting to the radio or figuring out another angle of the streaming video puzzle than just about anything else. I have a talk coming up in a couple of weeks that I want to try an apply some of what we are playing with in order to see if we can make the virtual presentation experience more fun, engaging, and interactive using a few of these tools, I guess we’ll see if all this fun has a real purpose or not
We’re currently building out Reclaim Hosting HQ’s TV studio, and as a result we’ve been doing more Reclaim Today episodes —which is a welcome change. In episode 21 we discuss what a video kit would look like for remote workers like Lauren and I. The idea being the mothership that is Reclaim Hosting’s office studio would be where all the heavy lifting happens, but Lauren and I would need to have tight video setups that allow us to seamlessly integrate for a distributed stream, not to mention the importance of having a solid rig as more and more events and trainings go fully online.
And we even had a view or two, thanks Simon! So the discussion delineates what a remote kit would look like, and below is the list of the equipment I got for my remote setup (Lauren’s differs a bit based on availability). There was more Elgato equipment available in Italy than the US (the company is headquartered just up the valley in Munich, Germany) as the demand for webcams, portable green screens, microphones, etc., is still peaking given the US is experiencing the never-ending lockdown. So, below is my annotated list of my remote video setup:
Elgato Key Light Air (2x): Lighting, lighting, lighting! One of the big takeaways from our discussion with Andy Rush a couple of weeks back was good lighting is everything. So I got two portable, adjustable desktop lights that I can link and control via my phone. These were $130 each, and I got two that sit on either side of my computer (as pictured above) and they do make all the difference but the app is a bit wonky at controlling both seamlessly, so that is something to consider. But I love how seamless they work on the desk behind my monitor on the left and next to the one on the right.
Elgato Wave Microphone: Next up is sound, and I currently have a Yeti mic that has worked for me pretty well, but one of the drawbacks is I tend to keep it off to the side and I find my levels are consistently low and it picks up everything. That said the Yeti may be more than enough for folks, but I wanted to try the Elgato Wave 1 to see if that was different, it just came this morning so I have to follow-up after playing around more, but a potential benefit of the Wave mic is comes with mixing software.
Logitech C920 Webcam: This is the camera I bought after mistakenly getting the Logitech C615, which sucks. While only $15-20 difference, the C920 is far superior. And I think this will be a good solution for most, I am still planning on mounting a Canon DSLR behind and above my main monitor and bringing it in as an input for OBS using Elgato’s Cam Link 4K video capture card. More on this experiment anon, but at $115 for the Logictech C920 (which is $20 cheaper than the Cam Link video capture card, and $1000+ cheaper than a DSLR) it is a very solid and affordable camera for a remote kit.
Elgato Portable Greenscreen: Finally the portable Greenscreen from Elgato officially makes me Elgato brand boy, doesn’t it? I can live with that, I had to pay a few bucks for this from a third-party vendor in Italy given it was sold out here, but not like the price gauging for it my vendors in the US right now. This has yet to come, so I will need to write more once I get it and can play with it, which will invite more posts around actually exploring the possibilities with using a Greenscreen when streaming, some of which Tim highlighted in the this video, and they are so fun!
On Friday Tim and I streamed/recorded episode 20 of Reclaim Today: Reclaim Studio Live! It is a testament to how fast Tim works given little more than a week earlier we sat down with Andy Rush in episode 19 to discuss the studio he is building at UNF. And Andy’s work inspired us so much that we went shopping almost immediately after that chat and started building out Reclaim Studio. The video below is a first look inside the studio and it is already quite tight.
Click image to play video
I do have some camera and green screen envy presently, but hopefully my upcoming trip back to the States will allow me to grab a few pieces for my home office rig What’s more, if you are considering building out a video streaming/recording studio for your own work, Andy Rush posted an amazing compilation of resources to help guide folks getting started, as well as providing links to various people working within the space. I feel like this is the beginning of a whole lot of fun over the next year, and I very much look forward to dialing in my video streaming, recording, and production game. I might even have to get a Youtube account again so you can like and subscribe for more!
Lauren ran an awesome episode of Reclaim Today yesterday (I’m not biased!) wherein Tim, Lauren, and I did a live, streaming discussion about the “History of Reclaim Hosting.” It may a bit early for the Reclaim biopic to be picked up by Hollywood, so we’re getting out in front of that tidal wave now Major kudos to Lauren and Judith for thinking of this as a way to give new, remote employees a sense of the history of Reclaim, and while we will not only be interacting with new employees through the new flesh of video like Dr. Oblivion, I enjoyed capturing this moment of our growth and tracking how our own little mythos of Reclaim is getting built. “The planet is screaming for change, Morrison, we gotta make the myths!”
We all have our origin stories and they’re all more complicated then we let on and often elide various realities, but they also remain essential for defining who we are and where we are going, and I luckily remain quite proud of the stories we tell at Reclaim and who we are!
Last night I finally got back on the Reclaim Today train. The show has been on hiatus during September given the new semester was in full swing, but Reclaim Hosting is starting to come up for air and we all know the show must go on!
I’m pretty excited about this episode cause it connects a couple of things we’ve done over the last few years, with this blog being a touchstone. Back in May I got the following email from John Grahame:
Dear Professor Groom,
On your bavatuesdays “Total Recall” blog from Feb 28, 2015 <https://bavatuesdays.com/total-recall-panasonic-omnivision-vcr/> you post a jpeg of a 1981 Montgomery Ward ad for Panasonic VCRs. The bottom VCR separates the tuner and the VCR to enable the user to “Tape action outside!” I bought one of those (for about $1,050!) in 1981. I still have it and it still works. Looks nice, too. Do you have any idea if there is anyone out there who would be interested in preserving items like these? I guess I’m thinking in terms of a museum of technology of something like that. I’m 70 years old now and am feeling the need to find ways for certain things I own to have a future.
Do I have any idea of someone who would be interested? You bet! The post from this here old blog, THE BAVA, was from 2015 and was part of my documentation of the UMW Console exhibit we created at UMW. It highlighted my purchase of an early 80s Panasonic Omnivision VHS player—which was the player my family had while I was growing up. It was (and still is) an awesome learning machine. In many ways it was an anchor of the 80s exhibit in my mind because it brought me back to the video 80s that were so formative. So, John’s email had me right away, and the image he is referring to with the dual unit from a Montgomery Ward catalogue was part of that post:
This was mobile video in 1981! Turns out this machine is a 1980s Panasonic Omnivision with Tuner and Recorder—and the tagline “Tape Action Outside!” provides a sense of the arrival of mass consumer portable video from the early 80s. When John shared the original manual and receipt it felt that much more real, technology with a very personal history.
$1300 in 1982 for this technology
I immediately responded to John with interest and we soon after got on a call wherein I explained Reclaim Video as an extension of the idea we started with the UMW Console in 2015. He was thrilled to contribute, and at this very moment the Panasonic Omnivision PV-4510 is en route to Fredericksburg to discover its new home in Reclaim Video. It’s due to arrive today, so hopefully pictures will follow.
But even better than the machine were John’s stories of exploring video in the early 70s throughout the 1980s. He started exploring video while a student at UMass in 1970 with Sony’s Portapak. I was not familiar with the Portapak and I looked it up after talking with John back in Spring, and it was a relatively inexpensive setup at $1500 in 1967 for this kind of technology (I was way off in the episode thinking I saw the price point at $120 or so, but it sounded as wrong as it was—so never trust me).
Sony’s portable video unit “Portapak” from 1967
The Portapak is interesting because as John noted, UMass had ten of them lying around, and given no one was using them he was able to hold onto it for two years and basically turn his mass communication papers into video papers. What’s more, from the Wikipedia article, the advent of this tecchnology during the political turmoil fo the late 60s meant it was being used by artists and activists alike to capture that moment:
The introduction of the Portapak had a great influence on the development of video art, guerrilla television, and activism. Video collectives such as TVTV and the Videofreex utilized Portapak technology to document countercultural movements apart from the Big Three television networks. The Portapak was also a crucial technology for the Raindance Foundation, a collective consisting of artists, academics, and scientists, motivated by the potential of the Portapak and video to develop alternative forms of communication. Because of its relative affordability and immediate playback capability, the Portapak provided artists, experimenters, and social commentators the ability to make and distribute videos apart from well-funded production companies.
It’s interesting to think that the introduction of video to a mass market was as far back as the 1960s, and John’s career as a video producer ranges from the 70s through the 80s when he got to work with Francis Ford Coppola on One From the Heart (1982). While often remembered as the film that sunk Zoetrope Studios financially, it is also remembered as a pioneering exploration of using video to create a film. Here’s a bit of context from the Previsualization Wikipedia article:
The most comprehensive and revolutionary use of new technology to plan movie sequences came from Francis Ford Coppola, who in making his 1982 musical feature One From the Heart, developed the process he called “electronic cinema”. Through electronic cinema Coppola sought to provide the filmmaker with on-set composing tools that would function as an extension of his thought processes. For the first time, an animatic would be the basis for an entire feature film. The process began with actors performing a dramatic “radio-style” voice recording of the entire script. Storyboard artists then drew more than 1800 individual storyboard frames. These drawings were then recorded onto analog videodisks and edited according to the voice recordings. Once production began, video taken from the video tap of the 35 mm camera(s) shooting the actual movie was used to gradually replace storyboarded stills to give the director a more complete vision of the film’s progress.
Instead of working with the actors on set, Coppola directed while viewing video monitors in the “Silverfish” (nickname) Airstream trailer, outfitted with then state-of-the-art video editing equipment. Video feeds from the five stages at the Hollywood General Studios were fed into the trailer, which also included an off-line editing system, switcher, disk-based still store, and Ultimatte keyers. The setup allowed live and/or taped scenes to be composited with both full size and miniature sets.
John relates his experience filming Harry Dean Stanton and Nastassja Kinski on the streets of Las Vegas without permits on the streets of Las Vegas in video. How cool is that, and here is an image of John (the man with the camera) and Coppola during the shoot:
John Grahame with Francis Ford Coppola while shooting One from the Heart in video
These connections blew my mind, and I knew I wanted to have John on an episode of Reclaim Today once we started it cause this kind of insight to the long history of video during the 60s, 70s, and 80s was a big part of why I was so excited about Reclaim Video, and here is that history being recounted by one who worked intimately within it. What’s more, it provided another moment to reflect on that bit at the end of the documentary Heart of Darkness wherein Coppola has a pretty brilliant of vision of what the advent of cheap, ubiquitous access to video could do for movies as an art form.
The long history of video just became that much more interesting to me, thanks John!
You can read the first and second of the three post series John promised, and the video was recorded on location at Reclaim Video and comes in at a very manageable 23 minutes with a couple of the best looking ed-techs this side of proprietary. Here is the synopsis in case you need a more objective reason to watch:
Jim and Tim sit down with John Stewart of the University of Oklahoma to discuss a recent solution he blogged about in which he’s using Google Spreadsheets and APIs to drive a fast and scalable blogging infrastructure to support a course with 1,000 students.
And if you come away with nothing else, it should be mad kudos for John Stewart for a really creative, relatively light-weight solution to a potentially expensive and resource intensive problem, the term innovation gets thrown around way too loosely but it makes resonates for me in this case.
On the heels of a transatlantic journey I sat down with Tim Owens to discuss the fate of academic blogging in the wake of Harvard University’s announcement of their shuttering their blogging system. This is our seventh episode of Reclaim Today, so we are start to track some mileage with this. The discussion was far-ranging, and I really do enjoy chatting with Tim about this stuff, but I think my “hot take” was that the shutting down of Harvard Blogs is less about the death of academic blogging platforms as it is the passage of the idea of blogging from the margin to the center. The idea that fueled the vision of the blog in the early aughts has come to how we expect the web to work now:reverse chronological, stream-driven, news-based, etc. And with WordPress driving 30% of websites, I think there is more than enough data to support this claim.
But some of the interesting questions Harvard’s statement about the closing of the system brings up a range of topics around archiving this work, the role of academic blogs in forging digital identities, questions of ownership and copyright, etc. We covered a bunch of these and more, and it made for yet another top quality production from the amazing folks at Reclaim Hosting, namely me.
Tim and I did a Reclaim Today show to celebrate the fact our infrastructure is now entirely hosted on virtual servers, and predominantly Digital Ocean at this point. We talked a bit about where we’ve been, where we are, and where we are going in terms of infrastructure, and I love the idea of capturing some of this more formally as it happens. The final to dedicated server migrations this weekend (Joy Division and Beat Happening) turned out to be more cumbersome than we imagined, but that’s behind us and we are now closer than ever to the Lawnmower Man infrastructure we’ve been dreaming of! I guess the next step is serverless, to quote an awesome post by Tony Hirst—want to get him on an episode of Reclaim Today this week to talk about BinderHub and more. So, it feels to me that Reclaim Today is kinda finding it stride, and like anything it’s all about laying the bricks and doing the work.
It was a pretty busy week at Reclaim Hosting, and I am up early on a Saturday morning working on the final migrations of our shared hosting infrastructure to Digital Ocean. Bye, bye ReliableSite! It has been a very productive summer when it comes to infrastructure, and folks are still reclaiming and domaining so no complaints from the bava. We also continue to make headway on Reclaim Today, our live video show highlighting stuff we’re interested in, working on, dreaming about, etc. Yesterday’s episode was a 25 minute discussion about Now (which I keep calling Zeit Now because the domain is zeit.co/now) which is a hosting environment that makes it dead simple to host Docker containers on the web. We used the episode as an occasion to work through Now, and talk about our own dreams for container-based hosting at Reclaim. I discovered Now thanks to the following Tweet from ed-tech’s mole from the future, Tony Hirst:
I then played with it briefly, but was fumbling around with Docker on my desktop and ran into issues get a Shiny server running. I abandoned the project, but this episode allowed me to get a clearer understanding of what Now can do, how it differs from Cloudron, and what it could mean from faculty, researchers, edtech, and students who want to spin up container -based apps on the quick. I also liked this episode a lot because I think it encapsulates pretty well how Tim and I have been working together these last 7 or 8 years. It’s been such a fun and funny relationship in so many ways, and capturing some of that on Reclaim Today seems to be just one of many reasons it feels so good.